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The supernatural elements in Christopher Marlowe’s Doctor Faustus are both genuinely frightening and faintly ridiculous. The conjuring of devils in Act One for instance, in which Faustus’ evocations of “surgat Mephistopheles” are designed to chill a 16th century audience, is juxtaposed with scenes of supernatural comedy and bathos, such as when Wagner and Robin raise devils themselves. At first glance, the effect of this is to suspend the audiences disbelief, unnerving them and encouraging controversial sympathies, for instance with a humorous devil. This being said however, the ridiculousness of the supernatural elements within the play is generally superficial, and largely intended to undermine Faustus’ sense of intellectual prowess, and demonstrate his debasement over time. As such, while Marlowe does portray a significant amount of the magic within Doctor Faustus as ridiculous, this is only to highlight the pathos and wretchedness of the protagonist’s fate. It is also worth mentioning that a modern audience may perceive scenes of fright and ridiculousness differently to a 16th century one - and so the balance of the two may depend on who is watching. 

The preposition «в» has two meanings: in/on or to (as in movement, going to a place). When it means in or on, the noun which follows must be in the prepositional case, ending in «е». For example «мальчик в парке», “the boy is in the park”. When «в» means to, the noun which follows must be in the accusative case. This means that for masculine nouns their form is the same as the nominative, but for the feminine form «а» changes to «у» and «я» changes to «ю». For example «Я хожу в театр» (I go to the theatre) but «Я хожу в дискотеку» (I go to the disco).As a general rule, “When «в» means to change «а» to «у» and «я» to «ю», that’s all you really have to do!”