Discuss how this piece (Brahms Piano Quintet in F minor mvt. III 'Scherzo') is characteristic of 19th century chamber music.

Brahms' melodic writing is highly virtuosic; large ranges are used for all instruments with double/multiple stopping and pizzicato in the stringed instruments, and occasional lyrical, legato melodies passed between instruments. The tonality and harmonic language of this piece is functional, with F minor as the tonic key, but incorporates plenty of chromaticism for colour such as diminished 7th chords. This piece is structured as a Scherzo followed by a highly melodically contrasting Trio, with an added fugato section. The texture comprises of equal melodic interest for all instruments, as well as homophonic chordal writing in the piano part. Rhythmically, Brahms incorporates plenty of syncopation for an energetic effect, and the dynamics contrast between very strong sforzandos and quieter reflective moments.