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This piece is written in 3/4. The first notable moment rhythmically is the hemiola at the end of the orchestral introduction. A hemiola is when music sounded in two time is written in three time and the m...
The extract begins with a rising semi-tone played at a low volume at a very low range (tessitura). The dynamics slowly increase (crescendo) throughout (1) and the semi-tone idea returns closer and closer ...
'And the glory of the Lord' from the oratorio Messiah by G. F. Handel is a chorus from the Baroque era for SATB choir and violins, viola, and continuo bass (cello). The time signature is in 3/4 and the te...
Baroque music is far more ornate than that of the classical era with less regular phrasing. Baroque music also uses a more polyphonic texture than classical music, meaning there are more interweaving line...
A hemiola is a feature of music that originated in the Baroque period. It comes about in music in triple time when the composer subverts the metre by placing the...
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